Read Ted Templeman: A Platinum Producer’s Life in Music By Greg Renoff
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Ebook About Crafting smash hits with Van Halen, The Doobie Brothers, Nicolette Larson, and Van Morrison, legendary music producer Ted Templeman changed the course of rock historyThis autobiography (as told to Greg Renoff) recounts Templeman’s remarkable life from child jazz phenom in Santa Cruz, California, in the 1950s to Grammy-winning music executive during the ’70s and ’80s. Along the way, Ted details his late ’60s stint as an unlikely star with the sunshine pop outfit Harpers Bizarre and his grind-it-out days as a Warner Bros. tape listener, including the life-altering moment that launched his career as a producer: his discovery of the Doobie Brothers.Ted Templeman: A Platinum Producer’s Life in Music takes us into the studio sessions of No. 1 hits like “Black Water” by the Doobie Brothers and “Jump” by Van Halen, as Ted recounts memories and the behind-the-scene dramas that engulfed both massively successful acts. Throughout, Ted also reveals the inner workings of his professional and personal relationships with some of the most talented and successful recording artists in history, including Steven Tyler and Joe Perry of Aerosmith, Eric Clapton, Lowell George, Sammy Hagar, Linda Ronstadt, David Lee Roth, and Carly Simon.Book Ted Templeman: A Platinum Producer’s Life in Music Review :
I started at Sunset Sound about 1983. I never met Ted but he was legendary - I couldn't wait to see Studio 2 where VH was produced. I did a bunch of records there and it was always inspiring to know that those songs were created in that room. In the 2000's I produced a lot of records (Daughtry, My Chemical Romance, Kelly Clarkson, P.O.D. Three Days Grace etc) and since I came from Sunset Sound I remember how the folks there said how organized and a pro Ted was. That definitely rubbed off on me...I wanted to be that guy. I also liked his honesty re the trials and tribulations of dealing with artists and material. But where Ted was different was that he was an Executive VP at WBR and was great at his job. I worked for WBR and Elektra and never got the hang of doing both things at once. That's what I liked most about this book - he was able to somehow balance both careers, and they really are 2 different full time jobs. My only regret is he left WBR by the time I started working for them and producing records for them - I could have used his insight for some of those records! Is there a Ted Templeman sound? Well, towards the end of this account, he lets on that it's about his past life as a percussionist/drummer with Harpers Bizarre and the use of timbales, congas and percussion that runs across the outstanding work from the Doobies, Little Feat, Nicolette Larson and others. But his repeated axiom across this work is to 'let the artists be who they are' - instead of stamping his style on them. That kind of approach, worked out with his longtime collaborator Don Landee, is pretty consistent across his recordings and stories. And it's reflected in the style here, which is uhboastful, doesn't go over the top with stories about sex and drugs and weirdness, and keeps a consistent eye and ear on the music and, as importantly, on the physical, sonic and cultural places of the various studios in LA, Berkeley, NYC, and yes, in Eddie Van Halen's rec room. The book is filled with new insights and comments that will reframe your listening (to Pat Simmons' electric finger picking counterpoint to Tom Johnston's rocking powerchords; to the incredibly innovative and sneaky bass playing of Tiran Porter; to Richie Hayward's dual lead/harmony vocals with Lowell George and Ry Cooder's presence everywhere; to David Lee Roth's lyrics and Brad Whitford's rhythm guitar; to how the dual drumming of the Doobies worked; to the versatility of Bill Payne), and substantive comments and tips on studio recording (from mic placement, to how to deal with dead rooms, especially on the recording of drums, and how to keep singers from jumping around too much) to the details of amplifier selection (e.g., getting Clapton off the Les Paul/dual Pignoses, and onto Lowell's favorite strat/Bassman/Bandmaster combo). So the amount of idiosyncratic cool musical, gear, technique commentaries here is richer than producer accounts by John Simon, Glyn Johns and even some of the George Martin/Geoff Emerick lore. Across the stories, you get a sense that Templeman is sticking as close to his remarkable memory as possible, in part because he does toss in the occasional producer's secret boasting accomplishment: where he doubled Little Feat's rhythm section over a drum machine; or the times he did all the background vocals with Mike McDonald or played the drums himself on 'What a Fool Believes' because nobody else seemed to grasp the concept and time signature changes. Finally, without dwelling on the awfulness or lapsing into self-confessional, he does little to disguise when his own substance abuse got in the way, where his judgements were simply bad and 'he let the artists down'. So this book succeeds, in part, because of its straightforward focus on the music and its simple, unpretentious approach. Ted and his coauthor Greg Renouf have done a very straightforward, readable job. Bravo. Read Online Ted Templeman: A Platinum Producer’s Life in Music Download Ted Templeman: A Platinum Producer’s Life in Music Ted Templeman: A Platinum Producer’s Life in Music PDF Ted Templeman: A Platinum Producer’s Life in Music Mobi Free Reading Ted Templeman: A Platinum Producer’s Life in Music Download Free Pdf Ted Templeman: A Platinum Producer’s Life in Music PDF Online Ted Templeman: A Platinum Producer’s Life in Music Mobi Online Ted Templeman: A Platinum Producer’s Life in Music Reading Online Ted Templeman: A Platinum Producer’s Life in Music Read Online Greg Renoff Download Greg Renoff Greg Renoff PDF Greg Renoff Mobi Free Reading Greg Renoff Download Free Pdf Greg Renoff PDF Online Greg Renoff Mobi Online Greg Renoff Reading Online Greg RenoffBest Finlay Donovan Is Killing It: A Mystery By Elle Cosimano
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